The costume opens with a long cape with a contrasting yellow lining. At rest it remains almost invisible, merging with the navy of the silhouette; only the artist’s movement reveals its interior and turns the fabric into a part of the stage design.
The starting point is the form of a dress uniform: a stand collar, two rows of buttons and a clearly defined shoulder line. The classic order has been preserved, yet rescaled for the stage, so that the silhouette remains legible from a great distance.
The palette is built on two colours. Deep navy gives the silhouette weight and calm, while yellow appears only where the costume opens: in the lining, on the shoulders and in the side stripes. Colour becomes a signal of movement.
The back of the jacket extends into long tails that reference the tailcoat. They lengthen the silhouette and respond to every step, and in sharp stage light they draw a clear, graphic contour.
Wide side stripes lead the eye along the entire leg. Borrowed from the uniform, they organise the proportions of the silhouette and remain visible even when the artist turns away from the audience.
Once the jacket comes off, the costume changes its character. A fitted top with geometric yellow panels repeats the colours of the first silhouette in a lighter, more athletic form, leaving the artist complete freedom of movement.
The design was created with an open-air concert in mind: rain, smoke and constantly changing light. Navy absorbs the colours of the spotlights and the yellow elements reflect them, keeping the silhouette legible in every scene.